[The following was written in March, 2002. Beware spoilers at end.] I just finished _On_ by Adam Roberts. Except for the reasons listed below I would have strongly recommended this book. I liked the writing and there is enough going on to hold my interest. (I currently have a limited attention span that makes me prefer short stories over boring novels.) The setting is a vertical world, "the wall", an apparently infinite cliff with humans living on the ledges and crevices. Although the culture is primitive, there are mostly nonfunctional remnants of high technology. A question first, then discussion that will not reveal the plot any more than the cover of the book, and finally spoiler-laden criticism. Is this book intended to be part of a series? It just stops without warning or resolution and I would have assumed the intent was a cliffhanger ending (that's an especially apt phrase for the world of _On_) except that there is no evidence in the book or elsewhere that a sequel is planned or that the book is not intended to be complete. It is clear early on that the world is truly vertical. The sun rises from under the wall (as the inhabitants call the world), so it can't be a tall cliff sticking up out of a normal world. As far as anybody knows the people who fall off the wall continue to fall forever, although there are rumours of a bottom. What are the consequences of this sort of life? One basic result is the difficulty of travel. There are few routes between settlements and most of those are guarded by people charging tolls. (His other novel, _Salt_, also features nasty businessmen.) This is an SF novel, not fantasy, so my rational thinking engaged. (The book has an appendix with a pseudo-scientific explanation of the world, so I was on the right track.) Having studied fluid mechanics, planetary atmopsheres, and even basic physics, I realized there was a problem with the world. The wall is clearly very large. If it is finite at all, it is many tens of kilomters tall. So why does it have an atmosphere? There should either be a constant, strong wind blowing downhill or a pressure and temperature gradient. Maybe there won't be a temperature gradient if the air is in thermal equilibrium with the wall (which would require that the atmosphere not extend far out from the wall) but there should be a strong change in pressure with height and the extent of human habitation is too large to be consistent with such pressure changes. So the author wanted a setting and was willing to ignore some physics to get it. The first two thirds of the book features our hero Tighe wandering around getting in trouble. ("Tighe" decomposes into "Tig" + "-he". The "-he" suffix is used for males and "-she" for females.) The last third is a big change. Tighe meets a man -- or something like a man -- who proceeds to let loose a large mass of authorial exposition explaining the world. SPOILERS It turns out one can fall forever. The wall is finite but unbounded. In fact, the wall is Earth after a scientific experiment gone wrong rotates the direction of gravity by 90 degrees. Lines of gravitational force go around the Earth instead of into it. (The author is aware that gravity is no longer a potential field and one can extract unlimited energy from it.)