The Okian Tea Gathering

A guide to the practice of the art of the Okian tea gathering, as practiced in New Galen on the Frontier. This guide is not meant to be an IG document nor a definitive statement. Rather, this should be construed as a statement open to considerable interpretation.

Overview
 
The Okian tea gathering is an informal gathering, as opposed to the much more formal and structured tea ceremony. The gathering can be for any purpose, although generally, tea gatherings are held ostensibly for meditative reasons. As they are informal, they can be used for a variety of social purposes, provided that some discretion and initial restraint is exercised.

As the tradition originated on Okia, usually only Okians are invited to tea gatherings. Nothing prevents outsiders from being invited, but given the closed nature of Okia society, this very rarely happens in Okia. A non-Okian being invited is a high mark of honor, and is sometimes considered a vouchsafing of very high magnitude.

 
Preparation
 
Clearly, the first order of business is to establish who is the host. Multiple people may undertake this responsibility by either sharing or dividing the duties. The host's responsibilities are straightforward. First is to issue invitations in a timely manner: clearly, one's guests should receive their invitations well in advance of a gathering, thereby avoiding the impression that one is being invited merely to provide a more harmonious number of guests. Next is to preparing the setting (clearing an outside area of debris or cleaning an interior location) and securing the necessary supplies (clean teacups, tea pot, hot water, etc). During the course of the gathering, the host must be attentive to the mood of the guests and to their conversation. Should conversation lag, it falls to the host to carry the conversation. If the guests have collectively fallen into a reflective atmosphere, it behooves the host to allow such meditation to continue undisturbed. Naturally, it is difficult to determine when such meditation has run its course, and a skilled host will re-commence conversation at the appropriate time.

If the host wishes to serve light refreshments, it is preferable to keep the food served at a light fare and preferably without strong flavors, so as to not wildly contrast with the experience of the tea.

 
Setting
 
The setting can be either indoors or outdoors. If the weather is inclement, clearly this is an impediment to a period of reflective contemplation. Sensory accoutrements may be added to the setting, but they should be understated. Tatami mats should be placed on the ground without gaps. Incense may be burned in advance, but care should be given that the smoke is not overpowering. Likewise, flowers may be gathered and arranged in a vase, but the arrangements can easily be a single flower or a single branch. Wind chimes may be hung, given appropriate weather conditions.

Given that tea gatherings are a time of reflection, the host should place some element in the centre as a focus for conversation and meditation. This could be one of the sensory decorations or something entirely different and possibly much more complex. A scroll can be admired both for the artwork of the calligraphy in addition to the content of the poetry. An incense bowl can be critiqued for its craftsmanship in addition to supplying a thin stream of pleasing smoke.

 
Beginning
 
The beginning of the tea gathering is ritualized: it is a way to formally leave the burdens of the world behind us so as to achieve a better state of inner harmony. The words, gestures, and movements used vary from the different regions of Okia. However, the overall structure is the same.

First, the greets gather together before the appointed time. Were a tea house in a garden being used as the site of the tea gathering, the guests would congregate at the edge of the garden. For interior locations, the guests would congregate outside the building; for exterior locations, they would assemble a discreet interval to the side. Note that there is no particular ordering of the guests, but the guests may wish to impose one on themselves, deferring certain privileges (who leads the guests, who enters first, who seats themselves first) for those held in higher esteem. This is an excellent opportunity for a trained observer to determine the relative social positions of the guests.

At the time appointed by the host, the guests then move to the location of the gathering, whereupon the host greets them by bowing to them; the guests return the greeting in the same manner. The host then invites his guests inside (or to come forth, in the case of exterior gatherings).

Unlike the tea ceremony, there is no ritual cleansing.

The guests then seat themselves; the host seats himself last. Another case of Okiman social clarification can occur with seating: the host may politely insist that a personnage of great esteem take the best seat, who may accept the honor, or may decline, thereby conferring a measure of honor to the host. At first, people should sit in seiza if possible.

The host then seats himself last. From seiza, he then bows to his guests, who return the greeting. The host may then use a particular phrasing to formally commence the gathering. "Let us find harmony in tea" is a common phrase.

 
Details
 
The guests have a small responsibility to pay attention to the effort the host has gone to in setting up the gathering. In turn, the host should prepare tea with a certain grace. While flourish and flash is not entirely unheard of, it is much more common (and approved of) to prepare tea in a serene manner. Understated dignity is the usual goal. The host should place all the utensils near him, such that he can reach them all without moving from his seated position. Also, expect for possibly the presence of boiling water in a kettle, the actual preparation of tea should occur in the presence of one's guests.

As the tea gathering is an informal affair, the discussion of mundane topics (trade, business, politics) is allowed. However, it is considered polite to not immediately bring such subjects up at the beginning of the gathering, and instead to wait a polite interval before broaching such subjects.

As mentioned before, part of the host's duties is to pay attention to the conversation, filling in awkward lulls without dominating the conversation. Of course, should a meditative mode descend on the gathering, the host must be sensitive to this.

The topic of conversation in a tea gathering is nominally about harmony. The simplicity of making and drinking tea is such a stark contrast to the often busied life one leads that sometimes one can find a form of enlightenment in the contrast and comparison. Such a pursuit of thought is the life work of many monks.

Comfort of the guests is of high importance, so it is certainly acceptable for the guests to shift in their seated positions. The host should pay attention to the placement of objects in the gathering, so that everything is within easy reach of the guests, be it works of art or trays of food. It is usually considered much more preferable that the host stand to retrieve an object rather than a guest, although there are no particular rules against a guest standing before the end of the gathering.

The host may wish to serve light refreshment over the course of the gathering, and indeed, such refreshment may serve as the focal point of the gathering: cheeses from around the Old World.

 
Ending
 
Just as the gathering has a ritualized beginning, so the ending is also ritualized. This brings closure to the gathering, thereby demonstrating that a proper harmonious ending in some things can still be achieved. A final bow from seiza between the host and the guests plus a short benediction is very common: "May the harmony of tea fill all your days."

The host then sees his guests to where he first met them, at which point the guests disperse, thereby allowing the host to return and perform the necessary cleanup. Note that, exceptional circumstances notwithstanding, the guests should refrain from offering to help, as it implies that the host is not capable of performing such action.

 
 
Overview

 


Preparation

 


Setting

 


Beginning

 


Details

 


Ending

dave leung (Matsumoto Tomohiko)