Music Faculty and Academic Staff
Ellen T. Harris, (eharris@mit.edu)  B.A. ‘67 Brown University; M.A. ‘70, Ph.D. ‘76 University of Chicago, Class of 1949 Professor at MIT, is author of Handel as Orpheus, a critical investigation of Handel’s cantatas (Harvard University Press, 2001), winner of the 2002 Otto Kindeldey  Award from the American Musicological Society and the 2002-03 Louis Gottschalk Prize from the Society for Eighteenth-Century Studies.  Her earlier publications include an edition of cantatas for alto voice (Oxford University Press, 2001), a critical facsimile edition of Handel’s opera librettos (13 vols.: Garland, 1989),  Henry Purcell’s ‘Dido and Aeneas’  (Oxford, 1987), and Handel and the Pastoral Tradition (Oxford, 1980). Articles and reviews by Professor Harris concerning Baroque opera and vocal performance practice have appeared in numerous publications including Journal of the American Musicological Society, Händel Jahrbuch, Notes, and The New York Times. Her article “Handel the Investor” (Music & Letters, 2004) won the 2004 Westrup Prize. Articles on censorship in the arts and arts education have appeared in The Chronicle of Higher Education and The Aspen Institute Quarterly.  From 1989 to 1996 Professor Harris served as Associate Provost for the Arts and Professor of Music at the Massachusetts Institute of Technology.  She formerly taught at Columbia University (1977-80) and at the University of Chicago (1980-89), where she was Chairman of the Department of Music (1984-89).  For the 1995-96 academic year, she was a Fellow at the Mary Ingraham Bunting Institute of Radcliffe College at Harvard University; in 1998 she was elected a Fellow of the American Academy of Arts and Sciences.  In Spring 2004, she was in residence as a member of the Institute for Advanced Study in Princeton, New Jersey, and in 2005 she won the Gyorgy Kepes Prize for her contributions to the arts at MIT.  Professor Harris also performs as a soprano soloist; her appearances include in 1991 the National Anthem at Fenway Park and in 1997 her Boston Pops debut in Symphony Hall with John Williams conducting.

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